Character designs (many of which involve creating animal/human-hybrids that scholars and Freud could investigate for a multitude of reasons) and action sequences are largely noticeable of his signature, however stilted it is to describe in text. All these original productions immediately display his directing style and prowess. American audiences have seen his work in the Digimon movie, alongside various contributions to One Piece, Samurai Champloo, but his productions based on original material have all been especially lauded: The Girl Who Leapt Through Time, Summer Wars, and Wolf Children (the latter two released by Funimation, and the first gaining it’s 10th anniversary re-release from the company). For Funimation, The Boy and The Beast represents a new milestone, being a limited-release theatrical presentation (unlike previous movies, which have been limited to certain theaters as part of special events). In an era where Anno’s taken longer than desired to continue his Neon Genesis Evangelion films and living legend Hayao Miyazaki is slowly retiring from the craft he brought to unparalleled heights, Hosoda’s been a bright beacon for an industry that’s increasingly globalized, especially with the US marketplace.
Hosoda has rapidly risen in the ranks to be one of the most immediately-recognizable and iconic directors of modern Japanese animation, quickly rising to the level of modern legends such as Hideaki Anno.
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Rechristened “Kyuta,” the young boy learns how to be both a fighter and a son to a new father, but how well can a human child fit into a world of beasts? The Boy and the Beast is the latest film from Mamoru Hosoda, coming off a string of internationally-successful animated works, but is this tale of tails a continuation of a win streak, or his first belly flop? It is here he enters an apprenticeship with Kumatetsu, a bear with a goal of becoming lord over all he sees. What separates man from animal, child from beast? As a young child, Ren finds himself orphaned and fearful of his future, so he escapes to Jutengai, the world of beast men and women.
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